This is supposed to sound good. Would be a great idea for a reissue. Epub . That's their right of course, but I swear it's almost like a disease..okay, I'm probably ranting about this in the wrong place. The Chess Masters reissue, it was done all analog by Steve Hoffman. of the "Chess master" reissues from the mid '80s are actually analog, although it says "digitally mastered by" on the back. I was quite excited when I saw many of the classic blues titles from Yazoo being reissued. Perhaps they don't have the dynamic range of a re-mastered LP from a major label, but I find the sound quite enjoyable on my vintage system. With these mono (false mono) too much clean and uniform. Marginal improvement over the CD. eXhibit Records/Soundboard Pablo was a Norman Granz label (Granz founded Verve among other labels) that used top engineers and the RCA vinyl infrastructure to process its albums and what this guy was playing me sounded wrong. There are so many recordswith that common "180G" gold on black sticker..when I see that sticker, I assume its straight up transfer of a CD to vinyl by whichever summer intern in the office shows a bit of apptitude. But believe whatever you want. Every time I played it (which of course wasn't often) I had to tell myself, "This is supposed to sound good. Recorded 2/65. To your specific inquiry, the original analog master tapes were the source for our remastered vinyl release of Chet Atkins & Les Paul, "Chester & Lester" (eXLP1-44061). But there's no guaranty the LP was actually cut from the tape because Sundazed doesn't specify who cut and from what. This guide is intended for owners and operators of all PWSs serving fewer than 10,000 persons. Third fact. I suspect the James Brown reissues are from CD but it's nice to see them out there, it's also funny to see a mid 60's King LP with a early 70's Polydor label with JB's picture when he had the big fro. So your best bet for a good sounding reissue would be the record company that owns the recording. The source was some kind of digitally sourced, noise reduced flat sonic wash with all the life and dynamics sucked out. The same problem exists for audiophile CD reissues also. I commend Mobile Fidelity for their Silver Series for not trying to pass these releases as being sourced from the original master tapes. You can read a review of a Vinyl Lover's John Cale reissue on this site. Data rates are typically higher than this during the recording, mixing, and mastering process. And some post partial information, like on some John Coltrane reissues that have a sticker that says "Sourced by Rhino, distributed by Scorpio.". Marche Hongroise, Schumann . Thank you ! Many of them were cut at places like Bell Sound that used dupes of dupes for cutting, and they sound awful. Sometimes we get slightly fudged information. And if a $60 LP from a major label is remastered from the best original sources, but comes out with a lot of crackling well, I would RATHER get some $13 LPs possibly cut from dubious sources but with absolutely no surface noise. Sometimes you buy something, put it on the platter and get confronted with 2 dimensional, harsh crap where you were expecting something decent. Legend also states that because of the availability of the "Pink Moon" original tape, it is the only remaster done with an entirely analog signal path. Not a single one I've heard comes even close to the OG presses. Trust your ears. Their website states this: As for our sources; We are provided with the best possible (analogue) masters available. Thanks for any advice you may offer, and I'd like to wish you all a safe and happy new year. Considering how full of errors Discogs already is and that there is no objective way of measuring pressing quality then it wouldn't be something that worked well, the best thing to do is learn which plants pressed most of your favourite records and those that pressed the ones with most problems, buy from the former and avoid the latter. Bob Dylans "Modern Times" LPis much better than the CD, real dynamic range where the CD sounds squashed. Nice article, Mikey. Anyone else unfortunate enough to grab that same LP? Mark Hammar is a Certied Manager of Quality / Organizational Excellence through the American Society for Quality and has been a Quality Professional since 1994. At least one track on it was on the ZYX reissue. Put on album title, record label or company, and what the sources were for the record. and what they know about the up coming reissue of Pink Moon. The German Horzu pressing of Magical Mystery Tour is of course incredible compared to all the rest. Bryan Ferry, Dylanesque, 96/24. This is not a case of semantics and again leaves one to wonder. How do these rate? Same faults all the time. If the analog master and mastering was used than is should be "AAA" and so on. Kevin Gray cut the lacquers, and the vinyl was pressed at Quality Records. They did not respond. I kept listening in hopes of adjusting my ear, but could not have avoided that eerie feeling that they tortured music to death before they buried in the vinyl. Sylvie Vartan. Take a look. But that's another story. Ermitage is one of the most long-lasting brands of the independent classical discography. This is a really good article and makes a very good point. Can you be more specific here? Electronic medical records and quality improvement Neurosurg Clin N Am. Hi Michael and everybody. Blues and Jazz Exile on main street - 2010 reissue; 48/24. The only thing I don't like about the packaging of Wax Time LPs is their tendency to put the Allmusic review in the sleevenotes. Tell ya what though, the pressings I've been happiest with have come from Quality Records. This program brought electronic health records to well over 80% of ambulatory physicians and virtually every hospital in the United States. These were all defective, with no top end above around 6kHz due to a screw-up somewhere along the line. The whole set. Label/record company, 3. sources. The record company (Doxy) even put different custom labels for each side. I'm not sure I see the value in such a thread. There was a 12" single (both 33 1/3 and 45rpm) of the 1985 Power Station remake. But I know people that will refuse on principle to buy any vinyl that they know to have had its purity of analog essence contaminated by digital. The Mo-Fi UHQR of Sgt. Your descriptions of those releases above is SPOT ON, IMO. The do a lot of reissuing of Wu-Tang LPs. As you would expect, this doesnt come cheap and while there is no obligation to donate, we would greatly appreciate anything you might send to help to sales@audiokarma.org at PayPal.com. It could have been a great Beatles collection but some one at MFSL back then was making bad judgementcalls in regards to the eq used. I have plenty of LPs from the 50s, 60s and 70s that were cut 100% analog every step of the way (obviously) and still sound horrible. I think the guy "robert" is full of it, and doesn't know anything about this series. And while some pressing plants are clearly better than others, there is a general feeling that many well-meaning pressing plants are running flat-out to meet demand. Of course sometimes content trumps source but if the source was originally analog and the source is available, using a CD to cut a record is inexcusable. In Southern Italy instead, in the territories of the . This is one of the most useful threads on the website. Consider The OXFAM Online Record Store, Platter World in Garfield, NJ Closing End of December, 2014, Record Score of the Day at The Princeton Record Exchange. And, do they have the samehigh compression applied? But it is so long that it has become difficult to mine for relevant information. I have purchased more than one pop/rock WaxTime LP. Best see if you can find a review before purchase, or whether you can give it a listen. The quality on these releases has been steadily improving over the last few years. Total Time: 77'38') Price $ 3.99 Quantity - + Total $ 3.99 Add to cart BRO Code: 163765 Units: 1 Record Label: ERMITAGE Well if the source and other info is listed on the record, of course consider that release. Could be I get more Optimal product than any other but I have had a fair number of pressings with one off faults. We will let you know before it is started. Ermitage @ermitagerecords 32.7K subscribers Subscribe Home Videos Live Playlists Community Channels About Created playlists Sort by 1 The Beggar's Opera - Il teatro di Lucio Dalla | Ermitage. A truly great article and responses. Liszt, Liederabend Mozart Schubert Schumann Wolf Wolf-Ferrari, Schubert - Bach - Beethoven - Brahms - Mendelssohn, Sonatas Op.5 N.2 & Op.69 / Variations Op.66 & WoO 45, Orchestra Dell'Accademia Di Santa Cecilia*. The ones I have heard are uniformly crap. Granados . For example, I have Juke Box Hits by Chuck Berry in WaxTime edition, and the same at Chess version 1984. Could some enterprising person create a table with columns for Reissue Label, Overall Reliability, and Comments? That could mean Bob took the master tape, did his thing, produced a 96/24 file and had Wes Garland cut from that, or that he went with the tape to NRP and cut from analog (assuming NRP has a preview head equipped playback deck), but sometimes there's nothing written in the Sundazed "deadwax", which leaves buyers with not a clue as to who did the all important lacquer cut and where it was cut, which is equally important: a mastering chain is like a hi-fi system in reverse. The Chess edition is really weird, while the WaxTime edition sounds very natural. I cannot quiet put my finger on it. 1,2 The move from vision to reality is not as simple as we would like, however. The main Quality record page provides information that may have been filled out when the Quality record was created and/or may need to be modified at different Phases. We do get it from certain labels, like Mobile Fidelity, ORG, ORG Music, Analogue Productions, Music Matters, IMPEX, Mosaic, Rhino, Pure Pleasure, Speakers Corner, Reference Recordings, more recently Sony/Legacy and probably a few others I can't recall off the top of my head. Recently a friend brought over a copy of Jeff Buckley's Grace album Simply Vinyl had reissued. We compared and the difference was so great, we at first thought the ZYX was a different arrangement and performance. Pre-order limited edition new releases and exclusive record pressings. The EQ was "car stereo valley" all the way: boosted bass and treble, sucked out midrange. horrible." Kevin Gray didn't convert the mono tapes to digital. by | May 25, 2022 | why does kelly wearstler wear a brace | diy nacho cheese dispenser | May 25, 2022 | why does kelly wearstler wear a brace | diy nacho cheese dispenser I had the original European vinyl. I picked up Dylan's 'No Mercy'. I also really like the Japanese red mono vinyl, but mostly for the different mix. When I first played it, it sounded so bad I thought there was something wrong with my system. LIke the original reissues of the Tom Waits Elektra albums Rhino issued that were stickered "cut from the original analog master tapes" when in fact, they'd been "cut" by Ron McMaster at Capitol from 96/24 files (per Tom's instructions) produced from the original master tapes. It's a nice and heavy, 180g record, and the label and spindle hole were also top-notch. Built-in safeguards against potential adverse events. Yup, "Old Ideas" on vinyl sounds remarkably better than the CD that came with it. We buy the hardware and software in the hope we're avoiding the digital nasties but it would appear there's much more to this than would appear. This study identifies and describes current uses of EMR data for performance measurement and considerations to further its potential in the Canadian context. A lot of The Beatles 1/2 speeds were NOT done with originalEMI master tapes. And I'm glad you are not "digiphobic" and call them as they sound. Actual production runs may not be as consistent as test pressings. All these records sound very good, so I'm very happy with this label. Doxy and WaxTimes can claim their junk is sourced from the original tapes too, after all, the CD they use to master comes from the original tape. None of this is to excuse those reissue labels that have no interest in sound quality and simply cut LPs from commercially available CD sources. I haven't listened to it yet but this is a lesson learned. I have some Elvis gold CDs that sound better. I just got a Carole King simply vinyl, cleaned with that $4,000 record cleaner Mikey talked about at T.H.E. I also doubt that they share them or even give them on loan to anyone.

. Many comments say that Lilith, Doxy, Dol and others are labels that exploit works that have fallen into the public domain. And I must say. unlike MANY recent official reissues from the major labels, the WaxTime records are absolutely free of pops/clicks and surface noise! The Friday Music Elvis reissues are analog and great sounding. I couldn't agree more re some labels simply putting out junk copied from digital. Not uniformly bad but definately hit or miss, and for typical vinyl prices I can't afford to take chances on labels like these. There never was a true mono master for many of these. While this should help improve your AK experience, there may be a slight interruption of service during the actual software transfer. Of course, the CBS Mastersound LP of Dylan's Blood On The Tracks is a great example of this. I have sent emails to Capital and 4 Men with Beards about the source of certain LPs and they never responded. I've been around vinyl since the 70s and many of the Scorpio records sound good and have stickers stating "manufactured by Rhino" (whatever that means). Just because something's been pressed on 180 gram vinyl doesn't mean its going to sound good or that it was sourced from analog. 8491 Sunset Blvd., #174 It's not just the remaster, it's the fact the new Beatles releases are digital. The DSD mastered Stones reissues sound fantastic as do original UK Deccas. They have also released some excellent sounding pressings, for example of film soundtracks or historical compilationsthey are not a pure re-issue label, they also have original releases, though no original artists I think. Yet they state quite clearly on the back that they were pressed at RTI and mastered by Kevin Gray and Joe Reagoso from the original Columbia Tapes. University Records means records or record systems that Proposer (1) creates, (2) receives from or on behalf of University, or (3) has access, and which may contain confidential information (including credit card information, social security numbers, and private health information (PHI) subject to Health Insurance Portability and Accountability Act (HIPAA) of 1996 . That mastering stamp more often than not indicates a good sounding record. The UHQR Pepper ain't in that same league at all. A lot of websites that sell new re-issues have little to no information about the pressing. Thanks! Rhino is a division of Warner Brothers and if you see Rhino, chances are sources are good, even if the label is Scorpio. Sound is Ok, sounds digital, a bit flat. this can result in this site earning a commission. This is a really good article, and hopefully, along with consumer pressure, it will lead to greater transparency from reissue labels. For $13 a piece at your local Half Price Books, you could do a lot worse, especially since many titles in the WaxTime catalog are totally unavailable except as rare scratchy originals that go for $100 a piece. Compression has a HUGE impact on the aural perception of a recording and should be banned as far as I'm concerned. It's one of the flattest and most perfectly centered records I've seen in my life. A look a the photos of the tape boxes that appered in the box set were very revealing. This web page shows only a small excerpt of our Ermitage research. Whether or not the former is rubbish is open for some debate, considering the multilayered approach to the recording wasn't a purist, minimalist effort by any stretch of the imagination. They are taking advantage of the EU law that puts stuff beyond a certain age in the public domain. The 68 records which did not allow for accurate identification (38 records with poor image quality, and 30 records without a picture), were removed. For example, CD-quality audio has a sample rate of 44.1kHz, meaning the sound is sampled 44,100 times per second, and 16 bits of data are recorded per sample. 4 Men With Beards? The same problem exists for audiophile CD reissues. I can read it online! October 23, 2020. I'd like to throw in my two cents: Avoid anything released by the Italian reissue label Get Back records. But we don't get that vital information as often as we'd like, do we? To improve sound quality, you might want to investigate replacing the supplied power supply with something of better quality. I pulled out my original copy and, although it lived a hard life during my misspent youth, it still sounded way better than the Vinyl Lovers. Simply Vinyl is pure chance, you never know what you get.

, Geoff called it "rubbish" and demanded a take it off the turntable! I am not impressed with the quality controls in the press/release process at Wax Time, a record company out of Spain. The jacket and the sleeve are high quality, and the vinyl looked really nice when I inspected it under normal lighting. The non-recorded areas are extremely quiet. I have bought a couple of records from this label for $15+tax: Ray Charles and Grant Green, and found the quality to be poor. Just listen to 'Cool Struttin' and compare to any analog sourced version, and all the hallmarks of a digital source are there. The Wah Wah label from Spain has reissued tons of obscure 70s records from France and Germany that I am glad I am able to own in the vinyl format, regardless of the source. Music Lovers = we make money by cutting corners not by cutting from masters. "I have not been at liberty to reveal sources on mastering since around 2000. There are some excellent vinyl reissue labels that use original anaolg sources and produce very good lps such as Analogue Productions, Speakers Corner Records, RhinOvinyl, Classic Records, Impulse!, Sundazed, etc. Call me crazy (and you wouldn't be the first!) I prefered a complete analog experience, that's why ilisten to Lp in the first place. Lionel. Here is the confirmation I recently received from them: "Thank you for your interest in Exhibit Records. I have not yet tried any of their jazz releases. Digital something, and not good. They sound fantastic to me, but note they do not say original analog masters. I remember purchasing some, and quickly learning my lesson. Thanks for replying, jgannon! 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Lack of provenance and of relying on familiar "Good Housekeeping"-style labels are pervasive. Even with the good audiophile companies that Michael listed, one needs to check carefully. I know you want to maintain validation for your expenditure. I have no idea. There is no CD mastering of any Nick Drake material that comes close to the "Pink Moon" remaster. If it's a CD, which is probably is, then it's an excellent sounding CD. Please be more specific about your charge! Digital, most likely 48/24, but Adam Ayant didn't want to say. I'd stay away. It is suggested that you develop one procedure to comply with Clause 4.16. Under 120X power, I gently pushed the material out of the grooves with the clean tip of a wooden toothpick. Not so much but I wouldn't blame Bell Sound. I've heard (more expensive) CD playback systems (as well as some five-figure LP systems) that are absolutely engaging, but since I don't collect CDs and I don't have three to five times the $2,000 I invested in my system to throw at one of those, I need to find some "fix" for my existing system. In addition to communicating vital patient care information, the medical record provides documentation of appropriate evaluation, treatment, and services. Simply Vinyl refuses to identify sources. We later went used record shopping in Athens and I found an original Pablo Sarah Vaughn for a few bucks in near mint condition. resolution unknown. Often you can see a "WG/NRP" on the inner groove area, which means "Wes Garland at Nashville Record Productions" did the cutting even though the credits say "mastered by Bob Irwin". But the latter doesn't sound better IMO. To my knowledge, there is no such resource anywhere on the web. West Hollywood, CA 90069". A Sarah Vaughn fan, he played me a "greatest hits" album from ZYX that had been culled from Sarah's later Pablo catalog. As this is the reason why someone with the original LPs would buy these. Most of what I've read isn't positive. Same deal for Jazz Wax Records, too -- more public domain stuff that appears to be 'mastered' from CDs. I'm going by mostlymemory here since I've long parted with mine. You'd think there'd be some obsessive on the internet keeping track of this stuff. One of the the Gil Scott-Heron LP's (The Revolution Will Not Be Televised) has a "RCA Special Products" sticker on the back while the others don't, I'm happy to get his Flying Dutchman albums since the originals go for big money and are rare, ditto goes for Leon Thomas. Is best ignored even though some titles were pretty good. The T-Rex "Electric Warrior" reissue is also "apparently" Hi Resolution digital, though I haven't heard it. I thought it was cute that Rhino used the wrong labels on the Meters and Dr. John LP's so people don't pass them off as originals (like that dealer in New Orleans) by using the 2-color Reprise W7 label for the Meters and the old 50's Atco label with the harp for Dr. John. I got rid of them, I have sold them. Leonard Cohens "Old Ideas" is digital, resolution unknown, but quite nice sounding. If there is a bad pressing - is commentary more likely to be offered in a unfocused and unwieldy general thread on bad pressings or in a thread focused on that specific recording/release? Not particularly good Nirvana, Nevermind, Simply Vinyl. Classic Records' version of Tapestry was fantastic. No information is lost. But to much confusion and poor information about the source. Just to be sure, I compared it to the mp3 version on Spotify, which blows it out of the water in EVERY respect. He also produces editorial series for the most important Italian newspapers such as Il Corriere della Sera and La Repubblica. Sundazed always sounds good. One of their LPs I bought had a blob of glue in the middle of side one, and this was a $40 Comus LP. The current Trulia Estimate for 328 Compass Poin is $454,000. The original purchased White Album was far superior to the remastered 180 gram from sound Soundstage Direct. I hope to see the thread keep going with peoples opinions on other reissues. Electronic Medical Records (EMRs) are a rich data source to measure and improve quality of care. The actually "lifted" the black and gold sticker Sundazed first created. Can anyone of you tell me about the reissues on the DOL-Label? Never again. Some benefits of recordkeeping are: Records are a simple, easy, and cost-effective management tool. Compressed and terrible sounding The Netherlands based Music on Vinyl label issues some albums cut from analog sources but mostly from high resolution files sourced from masters that they obtain directly from the labels (at least based on my experience). Hi Michael and the crew! Then on the other side 3 versions of I think Jeepster. I've heard better MP3s than some of their presses. As a double 45 and in print is even better! However, all the trouble began when I got to track 5 and it skipped twice (very bad, jumpy skips).

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